celulitis2424

Actual film location of "The" Field

The Field is a 1990 Irish drama film written and directed by Jim Sheridan and starring Richard Harris, John Hurt, Sean Bean, Brenda Fricker and Tom Berenger. It was adapted from John B. Keane's 1965 play of the same name.

Plot

Bull McCabe, an Irish farmer, dumps a dead donkey in a lake. It transpires that McCabe's son, Tadhg, killed the donkey after discovering it had broken into the field the family has rented for generations. The donkey's owner blames Bull McCabe for the death and demands "blood money".

McCabe has a deep attachment to the rented field, which his family has cultivated and improved, from barren to now very productive, over a number of generations. The field's owner is a widow who, around the time of the 10th anniversary of the death of her husband, decides to sell the field. She decides to sell the field by public auction rather than to McCabe directly. Unknown to McCabe, Tadhg has been harassing the widow for years, causing her to believe that McCabe is behind the harassment in order to force her into a sale. On hearing there will be an auction McCabe goes to the village pub and announces that nobody would dare bid against him for "my field".

McCabe has constant doubts about Tadhg's ability to safeguard the field. His older son, Seamie, committed suicide when he was 13. McCabe blames himself for the death, as he told Seamie the field could only support one family, and that Tadhg would have to emigrate when he grew up. McCabe and his wife have not spoken in the 18 years since the death.

Peter, an American whose ancestors are from the area, arrives in the village. He has plans to build a hydro-electric plant in the area and quarry stone for new roads. Central to his plans is McCabe's field. At the auction Peter repeatedly out-bids McCabe, forcing the price up to 80 pounds, 30 pounds more than what McCabe can afford. Seeing the bidding war the widow stops the auction and insists there would be a new auction, with a reserve price of 100 pounds. Knowing he cannot out bid Peter and seeing his cattle thrown off the field, McCabe goes to the rectory to confront Peter, and the parish priest who has been supporting him. McCabe now discovers Tadhg's actions, expelling him from the meeting, and goes on to explain his deep attachment to the field. This includes the death of his mother while saving hay.

Peter refuses to back down from his plans. In a desperate last attempt McCabe and Tadhg confront Peter at a waterfall he has just purchased, the night before the second auction. When Tadgh fails to defeat Peter in a fight, McCabe himself intervenes and beats both men in a rage. Peter is killed, and upon realising this, McCabe has a mental break. He confuses Peter with his dead son Seamie. Tadhg flees to the Irish Traveller woman he has fallen for. He tells her he has killed Peter, and they make plans to run off together. McCabe's close friend Bird O'Donnell bids on behalf of McCabe and secures the field for 101 pounds at the second auction, unopposed.
A Traveller boy spots the dead donkey floating in the lake and a crane is brought in to recover it. It inadvertently recovers the corpse of Peter. At the same time Tadhg comes home to tell his father he is leaving with the Traveller's daughter and says he never wanted the field. The Parish priest arrives to confront McCabe about the discovery of Peter. Having lost his son and with the corpse discovered, McCabe goes insane and herds his cattle to the cliffs. Bird informs Tadhg that his father has gone mad. Tadhg rushes to stop his father but gets driven over the cliff by the herd of cattle and killed. Further maddened with grief, McCabe attempts to drive the waves back from his dead son, while Tadhg's mother and the Traveller's daughter sob on the clifftop.

Production

The Field starred Richard Harris as Bull McCabe, Sean Bean as Bull's son Tadhg, Brenda Fricker as Bull's wife Maggie, and John Hurt as Bird O'Donnell. Adaptations included changes to the cast; the town priest received an expanded role as Father Liam McDermot, played by Sean McGinley, and English resident William Dee is replaced by the sympathetic Irish American Peter, played by Tom Berenger.

Reception

The Field was a commercial failure, failing to recover its costs.
The film received mix reviews from critics, in contrast to favorable reviews by the public, and it currently has a 43% approval rating at Rotten Tomatoes. Richard Harris's performance was particularly and highly praised, and he received an Academy Award and a Golden Globe nomination for his role.

In 1996 An Post, the Irish Post Office, issued a set of postage stamps to commemorate the centenary of Irish cinema; the 32p stamp featured an image from The Field of actors Harris, Bean, and Hurt standing against the backdrop of Killary Harbour.

Trebah (Cornish: Tre Worabo, meaning Gorabo's farm) is a 26-acre (110,000 m2) sub-tropical garden situated in Cornwall, England, UK, near Glendurgan Garden and above the Helford River (grid reference SW767273). Part of the parish of Mawnan, the gardens are set within an area of the same name, which includes the small settlements of Trebah Wartha and Trebah Woolas (both are of medieval origin).

In 1831 Trebah was acquired by the Fox family who built Glendurgan Garden. Trebah was first laid out as a pleasure garden by Charles Fox, a Quaker polymath of enormous creative energy who paid meticulous attention to the exact positioning of every tree. His son-in-law, Edmund Backhouse, M.P. for Darlington, took the work further.

In 1907 Trebah was bought by Charles Hawkins Hext and inherited on his death in 1917 by his wife, Alice, who died in 1939. From 1939 to 1981 the garden fell into decline, since the substantial Trebah Estate was sold off in small packages, of which the house and garden was one.

During the Second World War, Trebah was used for military purposes and the assault on Omaha Beach in Normandy was launched from Polgwidden Beach, at the foot of Trebah Garden.

One of the subsequent owners was Donald Healey, the motor car designer, who removed some of the concrete military structures and provided a boathouse on the beach.

In 1981, on their 64th birthday,[citation needed] Tony and Eira Hibbert bought Trebah as their retirement home. They were persuaded to give up the first three years of retirement to restore the garden.

Indeed, when Major Hibbert agreed to three years, little did he know it would become a quarter century. The decision, he eventually wrote, "has given us the happiest twenty-four years of our lives and had we not taken up the challenge we'd have been dead long ago of gin poisoning and boredom."

The garden was opened to the public in 1987 and by 1989 visitor numbers had reached 36,000. The Hibbert family then gave the house, garden and cottages to the Trebah Garden Trust, a registered charity, to ensure that the garden could be preserved for future generations.

In 2000 visitor numbers had exceeded 105,000 and a £1.94 million grant from the Heritage Lottery Fund and Objective One allowed Trebah to build the new 'Hibbert Centre', to rebuild Alice Hext's seat, restore the nursery and carry out major landscaping and garden improvements.

Euro 2016 - Ireland Fans listen to Dublin the Rare Old Times

Actual film location of "The" Field

The Field is a 1990 Irish drama film written and directed by Jim Sheridan and starring Richard Harris, John Hurt, Sean Bean, Brenda Fricker and Tom Berenger. It was adapted from John B. Keane's 1965 play of the same name.

Plot

Bull McCabe, an Irish farmer, dumps a dead donkey in a lake. It transpires that McCabe's son, Tadhg, killed the donkey after discovering it had broken into the field the family has rented for generations. The donkey's owner blames Bull McCabe for the death and demands "blood money".

McCabe has a deep attachment to the rented field, which his family has cultivated and improved, from barren to now very productive, over a number of generations. The field's owner is a widow who, around the time of the 10th anniversary of the death of her husband, decides to sell the field. She decides to sell the field by public auction rather than to McCabe directly. Unknown to McCabe, Tadhg has been harassing the widow for years, causing her to believe that McCabe is behind the harassment in order to force her into a sale. On hearing there will be an auction McCabe goes to the village pub and announces that nobody would dare bid against him for "my field".

McCabe has constant doubts about Tadhg's ability to safeguard the field. His older son, Seamie, committed suicide when he was 13. McCabe blames himself for the death, as he told Seamie the field could only support one family, and that Tadhg would have to emigrate when he grew up. McCabe and his wife have not spoken in the 18 years since the death.

Peter, an American whose ancestors are from the area, arrives in the village. He has plans to build a hydro-electric plant in the area and quarry stone for new roads. Central to his plans is McCabe's field. At the auction Peter repeatedly out-bids McCabe, forcing the price up to 80 pounds, 30 pounds more than what McCabe can afford. Seeing the bidding war the widow stops the auction and insists there would be a new auction, with a reserve price of 100 pounds. Knowing he cannot out bid Peter and seeing his cattle thrown off the field, McCabe goes to the rectory to confront Peter, and the parish priest who has been supporting him. McCabe now discovers Tadhg's actions, expelling him from the meeting, and goes on to explain his deep attachment to the field. This includes the death of his mother while saving hay.

Peter refuses to back down from his plans. In a desperate last attempt McCabe and Tadhg confront Peter at a waterfall he has just purchased, the night before the second auction. When Tadgh fails to defeat Peter in a fight, McCabe himself intervenes and beats both men in a rage. Peter is killed, and upon realising this, McCabe has a mental break. He confuses Peter with his dead son Seamie. Tadhg flees to the Irish Traveller woman he has fallen for. He tells her he has killed Peter, and they make plans to run off together. McCabe's close friend Bird O'Donnell bids on behalf of McCabe and secures the field for 101 pounds at the second auction, unopposed.
A Traveller boy spots the dead donkey floating in the lake and a crane is brought in to recover it. It inadvertently recovers the corpse of Peter. At the same time Tadhg comes home to tell his father he is leaving with the Traveller's daughter and says he never wanted the field. The Parish priest arrives to confront McCabe about the discovery of Peter. Having lost his son and with the corpse discovered, McCabe goes insane and herds his cattle to the cliffs. Bird informs Tadhg that his father has gone mad. Tadhg rushes to stop his father but gets driven over the cliff by the herd of cattle and killed. Further maddened with grief, McCabe attempts to drive the waves back from his dead son, while Tadhg's mother and the Traveller's daughter sob on the clifftop.

Production

The Field starred Richard Harris as Bull McCabe, Sean Bean as Bull's son Tadhg, Brenda Fricker as Bull's wife Maggie, and John Hurt as Bird O'Donnell. Adaptations included changes to the cast; the town priest received an expanded role as Father Liam McDermot, played by Sean McGinley, and English resident William Dee is replaced by the sympathetic Irish American Peter, played by Tom Berenger.

Reception

The Field was a commercial failure, failing to recover its costs.
The film received mix reviews from critics, in contrast to favorable reviews by the public, and it currently has a 43% approval rating at Rotten Tomatoes. Richard Harris's performance was particularly and highly praised, and he received an Academy Award and a Golden Globe nomination for his role.

In 1996 An Post, the Irish Post Office, issued a set of postage stamps to commemorate the centenary of Irish cinema; the 32p stamp featured an image from The Field of actors Harris, Bean, and Hurt standing against the backdrop of Killary Harbour.

Assyrian sculpture and Balawat Gates (Room 6)

11th – 8th centuries BC

Colossal statue of a winged lion from the North-West Palace of Ashurnasirpal II (Room B) -865/-860

From the collection of British Museum

This is one of a pair of guardian figures that flanked one of the entrances into the throne room of Ashurnasirpal II (883-859 BC). Stone mythological guardians, sculpted in relief or in the round, were often placed at gateways to ancient Mesopotamian palaces, to protect them from demonic forces. They were known to the Assyrians as lamassu. This winged lion has five legs so that when viewed from the front it is standing firm, and when viewed from the side it appears to be striding forward against any evil. It wears ropes like other protective spirits. Between the legs is inscribed the 'Standard Inscription' of Ashurnasirpal which is repeated over many of his reliefs. It records the king's titles, ancestry and achievements.

This colossal figure was excavated by Austen Henry Layard who worked in Assyria between 1845 and 1851. He suggested that these composite creatures embodied the strength of the lion, the swiftness of birds indicated by the wings, and the intelligence of the human head. The helmet with horns indicates the creature's divinity.

Large stone sculptures and reliefs were a striking feature of the palaces and temples of ancient Assyria (modern northern Iraq). An entrance to the royal palace of King Ashurnasirpal II (883-859 BC) at Nimrud was flanked by two colossal winged human-headed lions. A gigantic standing lion stood at the entrance to the nearby Temple of Ishtar, the goddess of war.

These sculptures are displayed in Rooms 6a and 6b alongside fragments and replicas of the huge bronze gates of Shalmaneser III (858-824 BC) from Balawat.

A Black Obelisk also on display shows the same king receiving tribute from Israel and is displayed with obelisks and stelae (vertical inscribed stone slabs) from four generations of Assyrian kings.

Overlooking River Blackwater - Co Waterford

2 March 2018

GLOW Festival with Real Snow

Lens: Canon EF 24–105mm f/4L IS USM Lens

Camera Body: Canon 100d

Post Edit: Shotcut (Free Opensource)

Trebah (Cornish: Tre Worabo, meaning Gorabo's farm) is a 26-acre (110,000 m2) sub-tropical garden situated in Cornwall, England, UK, near Glendurgan Garden and above the Helford River (grid reference SW767273). Part of the parish of Mawnan, the gardens are set within an area of the same name, which includes the small settlements of Trebah Wartha and Trebah Woolas (both are of medieval origin).

In 1831 Trebah was acquired by the Fox family who built Glendurgan Garden. Trebah was first laid out as a pleasure garden by Charles Fox, a Quaker polymath of enormous creative energy who paid meticulous attention to the exact positioning of every tree. His son-in-law, Edmund Backhouse, M.P. for Darlington, took the work further.

In 1907 Trebah was bought by Charles Hawkins Hext and inherited on his death in 1917 by his wife, Alice, who died in 1939. From 1939 to 1981 the garden fell into decline, since the substantial Trebah Estate was sold off in small packages, of which the house and garden was one.

During the Second World War, Trebah was used for military purposes and the assault on Omaha Beach in Normandy was launched from Polgwidden Beach, at the foot of Trebah Garden.

One of the subsequent owners was Donald Healey, the motor car designer, who removed some of the concrete military structures and provided a boathouse on the beach.

In 1981, on their 64th birthday,[citation needed] Tony and Eira Hibbert bought Trebah as their retirement home. They were persuaded to give up the first three years of retirement to restore the garden.

Indeed, when Major Hibbert agreed to three years, little did he know it would become a quarter century. The decision, he eventually wrote, "has given us the happiest twenty-four years of our lives and had we not taken up the challenge we'd have been dead long ago of gin poisoning and boredom."

The garden was opened to the public in 1987 and by 1989 visitor numbers had reached 36,000. The Hibbert family then gave the house, garden and cottages to the Trebah Garden Trust, a registered charity, to ensure that the garden could be preserved for future generations.

In 2000 visitor numbers had exceeded 105,000 and a £1.94 million grant from the Heritage Lottery Fund and Objective One allowed Trebah to build the new 'Hibbert Centre', to rebuild Alice Hext's seat, restore the nursery and carry out major landscaping and garden improvements.

Brow Head (Irish: Ceann Bró) is the most southerly point of mainland Ireland. It is in the rural townland of Mallavoge near Crookhaven in County Cork, Ireland. It is 3.8 km east of Mizen Head at latitude 51.43ºN.

The signal tower on Brow Head is part of a chain of towers built in 1804, during British rule, to give warning of a French invasion. Originally the signalling was done with a system of flags and blackballs on masts. Brow Head, or Mallavogue, was a mining area in the 19th century and the remains of the mines and the miners' houses can still be seen.[3]The first copper ore was extracted here in 1852 and mining continued intermittently until at least 1906.

In 1904, Marconi’s Wireless Telegraph Co. Ltd. entered into a contract with the Commissioners of Irish Lights to put telegraphic equipment and aerials on the Fastnet Rock. The telegraphic station was moved up to Brow Head where the signal tower equipment had been used for so long to contact passing ships. Messages were sent to the Fastnet Rock Lighthouse by signalling methods and then relayed to the Brow Head station by wireless telegraphy for relaying on to the recipients.

St Ives (Cornish: Porth Ia, meaning "St Ia's cove") is a seaside town, civil parish and port in Cornwall, England. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial emphasis, and the town is now primarily a popular holiday resort, notably achieving the title of Best UK Seaside Town from the British Travel Awards in both 2010 and 2011.

St Ives was incorporated by Royal Charter in 1639. St Ives has become renowned for its number of artists. It was named best seaside town of 2007 by The Guardian newspaper. It should not be confused with St Ives, a village and civil parish in south-east Cornwall.
The origin of St Ives is attributed in legend to the arrival of the Irish Saint Ia of Cornwall, in the 5th century. The parish church bears her name, and St Ives derives from it.

The Sloop Inn, which lies on the wharf was a fisherman's pub for many centuries and is dated to "circa 1312", making it one of the oldest inns in Cornwall. The town was the site of a particularly notable atrocity during the Prayer Book rebellion of 1549. The English Provost Marshal (Anthony Kingston) came to St Ives and invited the portreeve, John Payne, to lunch at an inn. He asked the portreeve to have the gallows erected during the course of the lunch. Afterwards the portreeve and the Provost Marshal walked down to the gallows; the Provost Marshal then ordered the portreeve to mount the gallows. The portreeve was then hanged for being a "busy rebel".

The seal of St Ives is Argent, an ivy branch overspreading the whole field Vert, with the legend Sigillum Burgi St. Ives in Com. Cornub. 1690.

During the Spanish Armada of 1597 two Spanish ships, a bark and a pinnace had made their way to St Ives to seek shelter from the storm which had dispersed the Spanish fleet. They were captured by the English warship Warpsite of Sir Walter Raleigh leaking from the same storm. The information given by the prisoners was vital on learning the Armada's objectives.

Fishing

From medieval times fishing was important at St Ives; it was the most important fishing port on the north coast. The pier was built by John Smeaton in 1767–70 but has been lengthened at a later date. The octagonal lookout with a cupola belongs to Smeaton's design.
In the decade 1747–1756 the total number of pilchards dispatched from the four principal Cornish ports of Falmouth, Fowey, Penzance and St Ives averaged 30,000 hogsheads annually (making a total of 900 million fish). Much greater catches were achieved in 1790 and 1796. In 1847 the exports of pilchards from Cornwall amounted to 40,883 hogsheads or 122 million fish while the greatest number ever taken in one seine was 5,600 hogsheads at St Ives in 1868.

Kenneth Hamilton Jenkin describes how the St Ives fisherman strictly observed Sunday as a day of rest. St Ives was a very busy fishing port and seining was the usual method of fishing. Seining was carried out by a set of three boats of different sizes, the largest two carrying seine nets of different sizes. The total number of crew was seventeen or eighteen. However this came to an end in 1924. The bulk of the catch was exported to Italy: for example in 1830 6,400 hogsheads were sent to Mediterranean ports. From 1829 to 1838 the yearly average for this trade was 9,000 hogsheads.

While commercial fishing is much reduced, the harbour is still in use, often as well for recreational boating, tourist fishing and day trips to the nearby seal colonies on the Carrack Rocks and other locations along the coast. Recently, a class of Victorian fishing boat unique to St. Ives, known as a "jumbo," has been replicated by boatbuilder Jonny Nance to celebrate the town's maritime heritage. Today's jumbos are operated by the St. Ives Jumbo Association.

The first lifeboat was stationed in the town in 1840. In 1867 the Royal National Lifeboat Institution built a boathouse at Porthgwidden beach. It proved to be a difficult site to launch from and in 1867 it was replaced by a building in Fore Street. In 1911 a new boathouse was built on the Quay, and then in 1993 a larger station was built at the landward end of the West Pier
Seven crewmen died in the St Ives lifeboat tragedy of 1939. In the early hours of 23 January 1939 there was a Force 10 storm blowing with gusts up to 100 miles per hour (160 km/h). The lifeboat John and Sara Eliza Stych was launched at 3 o'clock to search for a ship reported in trouble off Cape Cornwall. It rounded The Island where it met the full force of the storm as it headed westwards. It capsized three times and drifted across St Ives Bay when its propeller was fouled. The first time it turned over four men were lost; the second time one more; the third time left only one man alive. He scrambled ashore when the boat was wrecked on rocks near Godrevy Point

St Ives (Cornish: Porth Ia, meaning "St Ia's cove") is a seaside town, civil parish and port in Cornwall, England. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial emphasis, and the town is now primarily a popular holiday resort, notably achieving the title of Best UK Seaside Town from the British Travel Awards in both 2010 and 2011.

St Ives was incorporated by Royal Charter in 1639. St Ives has become renowned for its number of artists. It was named best seaside town of 2007 by The Guardian newspaper. It should not be confused with St Ives, a village and civil parish in south-east Cornwall.
The origin of St Ives is attributed in legend to the arrival of the Irish Saint Ia of Cornwall, in the 5th century. The parish church bears her name, and St Ives derives from it.

The Sloop Inn, which lies on the wharf was a fisherman's pub for many centuries and is dated to "circa 1312", making it one of the oldest inns in Cornwall. The town was the site of a particularly notable atrocity during the Prayer Book rebellion of 1549. The English Provost Marshal (Anthony Kingston) came to St Ives and invited the portreeve, John Payne, to lunch at an inn. He asked the portreeve to have the gallows erected during the course of the lunch. Afterwards the portreeve and the Provost Marshal walked down to the gallows; the Provost Marshal then ordered the portreeve to mount the gallows. The portreeve was then hanged for being a "busy rebel".

The seal of St Ives is Argent, an ivy branch overspreading the whole field Vert, with the legend Sigillum Burgi St. Ives in Com. Cornub. 1690.

During the Spanish Armada of 1597 two Spanish ships, a bark and a pinnace had made their way to St Ives to seek shelter from the storm which had dispersed the Spanish fleet. They were captured by the English warship Warpsite of Sir Walter Raleigh leaking from the same storm. The information given by the prisoners was vital on learning the Armada's objectives.

Fishing

From medieval times fishing was important at St Ives; it was the most important fishing port on the north coast. The pier was built by John Smeaton in 1767–70 but has been lengthened at a later date. The octagonal lookout with a cupola belongs to Smeaton's design.
In the decade 1747–1756 the total number of pilchards dispatched from the four principal Cornish ports of Falmouth, Fowey, Penzance and St Ives averaged 30,000 hogsheads annually (making a total of 900 million fish). Much greater catches were achieved in 1790 and 1796. In 1847 the exports of pilchards from Cornwall amounted to 40,883 hogsheads or 122 million fish while the greatest number ever taken in one seine was 5,600 hogsheads at St Ives in 1868.

Kenneth Hamilton Jenkin describes how the St Ives fisherman strictly observed Sunday as a day of rest. St Ives was a very busy fishing port and seining was the usual method of fishing. Seining was carried out by a set of three boats of different sizes, the largest two carrying seine nets of different sizes. The total number of crew was seventeen or eighteen. However this came to an end in 1924. The bulk of the catch was exported to Italy: for example in 1830 6,400 hogsheads were sent to Mediterranean ports. From 1829 to 1838 the yearly average for this trade was 9,000 hogsheads.

While commercial fishing is much reduced, the harbour is still in use, often as well for recreational boating, tourist fishing and day trips to the nearby seal colonies on the Carrack Rocks and other locations along the coast. Recently, a class of Victorian fishing boat unique to St. Ives, known as a "jumbo," has been replicated by boatbuilder Jonny Nance to celebrate the town's maritime heritage. Today's jumbos are operated by the St. Ives Jumbo Association.

The first lifeboat was stationed in the town in 1840. In 1867 the Royal National Lifeboat Institution built a boathouse at Porthgwidden beach. It proved to be a difficult site to launch from and in 1867 it was replaced by a building in Fore Street. In 1911 a new boathouse was built on the Quay, and then in 1993 a larger station was built at the landward end of the West Pier
Seven crewmen died in the St Ives lifeboat tragedy of 1939. In the early hours of 23 January 1939 there was a Force 10 storm blowing with gusts up to 100 miles per hour (160 km/h). The lifeboat John and Sara Eliza Stych was launched at 3 o'clock to search for a ship reported in trouble off Cape Cornwall. It rounded The Island where it met the full force of the storm as it headed westwards. It capsized three times and drifted across St Ives Bay when its propeller was fouled. The first time it turned over four men were lost; the second time one more; the third time left only one man alive. He scrambled ashore when the boat was wrecked on rocks near Godrevy Point

St Ives (Cornish: Porth Ia, meaning "St Ia's cove") is a seaside town, civil parish and port in Cornwall, England. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial emphasis, and the town is now primarily a popular holiday resort, notably achieving the title of Best UK Seaside Town from the British Travel Awards in both 2010 and 2011.

St Ives was incorporated by Royal Charter in 1639. St Ives has become renowned for its number of artists. It was named best seaside town of 2007 by The Guardian newspaper. It should not be confused with St Ives, a village and civil parish in south-east Cornwall.
The origin of St Ives is attributed in legend to the arrival of the Irish Saint Ia of Cornwall, in the 5th century. The parish church bears her name, and St Ives derives from it.

The Sloop Inn, which lies on the wharf was a fisherman's pub for many centuries and is dated to "circa 1312", making it one of the oldest inns in Cornwall. The town was the site of a particularly notable atrocity during the Prayer Book rebellion of 1549. The English Provost Marshal (Anthony Kingston) came to St Ives and invited the portreeve, John Payne, to lunch at an inn. He asked the portreeve to have the gallows erected during the course of the lunch. Afterwards the portreeve and the Provost Marshal walked down to the gallows; the Provost Marshal then ordered the portreeve to mount the gallows. The portreeve was then hanged for being a "busy rebel".

The seal of St Ives is Argent, an ivy branch overspreading the whole field Vert, with the legend Sigillum Burgi St. Ives in Com. Cornub. 1690.

During the Spanish Armada of 1597 two Spanish ships, a bark and a pinnace had made their way to St Ives to seek shelter from the storm which had dispersed the Spanish fleet. They were captured by the English warship Warpsite of Sir Walter Raleigh leaking from the same storm. The information given by the prisoners was vital on learning the Armada's objectives.

Fishing

From medieval times fishing was important at St Ives; it was the most important fishing port on the north coast. The pier was built by John Smeaton in 1767–70 but has been lengthened at a later date. The octagonal lookout with a cupola belongs to Smeaton's design.
In the decade 1747–1756 the total number of pilchards dispatched from the four principal Cornish ports of Falmouth, Fowey, Penzance and St Ives averaged 30,000 hogsheads annually (making a total of 900 million fish). Much greater catches were achieved in 1790 and 1796. In 1847 the exports of pilchards from Cornwall amounted to 40,883 hogsheads or 122 million fish while the greatest number ever taken in one seine was 5,600 hogsheads at St Ives in 1868.

Kenneth Hamilton Jenkin describes how the St Ives fisherman strictly observed Sunday as a day of rest. St Ives was a very busy fishing port and seining was the usual method of fishing. Seining was carried out by a set of three boats of different sizes, the largest two carrying seine nets of different sizes. The total number of crew was seventeen or eighteen. However this came to an end in 1924. The bulk of the catch was exported to Italy: for example in 1830 6,400 hogsheads were sent to Mediterranean ports. From 1829 to 1838 the yearly average for this trade was 9,000 hogsheads.

While commercial fishing is much reduced, the harbour is still in use, often as well for recreational boating, tourist fishing and day trips to the nearby seal colonies on the Carrack Rocks and other locations along the coast. Recently, a class of Victorian fishing boat unique to St. Ives, known as a "jumbo," has been replicated by boatbuilder Jonny Nance to celebrate the town's maritime heritage. Today's jumbos are operated by the St. Ives Jumbo Association.

The first lifeboat was stationed in the town in 1840. In 1867 the Royal National Lifeboat Institution built a boathouse at Porthgwidden beach. It proved to be a difficult site to launch from and in 1867 it was replaced by a building in Fore Street. In 1911 a new boathouse was built on the Quay, and then in 1993 a larger station was built at the landward end of the West Pier
Seven crewmen died in the St Ives lifeboat tragedy of 1939. In the early hours of 23 January 1939 there was a Force 10 storm blowing with gusts up to 100 miles per hour (160 km/h). The lifeboat John and Sara Eliza Stych was launched at 3 o'clock to search for a ship reported in trouble off Cape Cornwall. It rounded The Island where it met the full force of the storm as it headed westwards. It capsized three times and drifted across St Ives Bay when its propeller was fouled. The first time it turned over four men were lost; the second time one more; the third time left only one man alive. He scrambled ashore when the boat was wrecked on rocks near Godrevy Point

The Gayer-Anderson Cat is a bronze Ancient Egyptian statue of a cat, which dates from the Late Period (around 664–332 BC).

Style and detail

The sculpture is known as the Gayer-Anderson cat after Major Robert Grenville Gayer-Anderson who, together with Mary Stout Shaw, donated it to the British Museum. The statue is a representation of the cat-goddess Bastet. The cat wears jewellery and a protective wadjet amulet. The earrings and nose ring on the statue may not have always belonged to the cat. A scarab appears on the head and a winged scarab is shown on the chest. The statue is 42 cm high and 13 cm wide. A copy of the statue is kept in the Gayer-Anderson Museum, located in Cairo.

Construction

Detail of the head

The statue is not as well preserved as it appears. X-rays taken of the sculpture reveal that there are cracks that extend almost completely around the centre of the cat's body and only an internal system of strengthening prevents the cat's head from falling off. The repairs to the cat were carried out by Major Gayer-Anderson who was a keen restorer of antiquities in the 1930s. When he bought it, the surface of the cat was "covered with a heavy coating of crystalline verdigris and crisp flakes of red patina" which he carefully removed by chipping away at it.

The cat was manufactured by the lost wax method where a wax model is covered with clay, or clay and water, until there is sufficient thickness. The clay can then be fired in a kiln and the wax flows out. The now hollow mould can be refilled with bronze. In this case the metal was 85% copper, 13% tin, 2% arsenic with a 0.2% trace of lead. The remains of the pins that held the wax core can still be seen using x-rays. The original metalworkers would have been able to create a range of colours on a bronze casting and the stripes on the tail are due to metal of a differing composition. It is also considered likely that the eyes contained stone or glass decorations.

Interesting article about Gayer-Anderson:

http://www.independent.ie/life/the-ir...

Kinderdijk is a village in the Netherlands, belonging to the municipality of Molenwaard, in the province South Holland, about 15 km east of Rotterdam. Kinderdijk is situated in a polder in the Alblasserwaard at the confluence of the Lek and Noord rivers. To drain the polder, a system of 19 windmills was built around 1740. This group of mills is the largest concentration of old windmills in the Netherlands. The windmills of Kinderdijk are one of the best-known Dutch tourist sites. They have been a UNESCO World Heritage Site since 1997.

Name

The name Kinderdijk is Dutch for "Children dike". In 1421, during the Saint Elizabeth flood of 1421, the Grote Hollandse Waard flooded, but the Alblasserwaard polder stayed unflooded. It is said that when the terrible storm had subsided, someone went on to the dike between these two areas, to see what could be saved. In the distance, he saw a wooden cradle floating on the waters. As it came nearer, some movement was detected. A cat was seen in the cradle trying to keep it in balance by jumping back and forth so that no water could get into it. As the cradle eventually came close enough to the dike for a bystander to pick up the cradle, he saw that a baby was quietly sleeping inside it, nice and dry. The cat had kept the cradle balanced and afloat. This folktale and legend has been published as "The Cat and the Cradle" in English.

History

In Alblasserwaard, problems with water became more and more apparent in the 13th century. Large canals, called "weteringen", were dug to get rid of the excess water in the polders. However, the drained soil continued to subside, while the level of the river rose due to the river's sand deposits. After a few centuries, an additional way to keep the polders dry was required. It was decided to build a series of windmills, with a limited capacity to bridge water level differences, but just able to pump water into a reservoir at an intermediate level between the soil in the polder and the river; the reservoir could be pumped out into the river by other windmills whenever the river level was low enough; the river level has both seasonal and tidal variations. Although some of the windmills are still used, the main water works are provided by two diesel pumping stations near one of the entrances of the windmills site.

In popular culture

In the 2005 PlayStation 2 video game Sly 3: Honor Among Thieves, Kinderdijk is the third playable location. Several missions include utilizing the iconic windmills to aid the main character, Sly, in a biplane dogfight over the village.

Taking as its theme as the world of fantasy, the Tenerife capital’s most iconic celebration has once more filled the city streets with fancy dress, music, rhythm and colour.

Proceedings got under way on 22 January with the preliminary round of the junior Murgas (satirical singing groups) contest, which will be followed by a host of events including the various Carnival Queen competitions – Junior (Sunday 28 January), Senior Citizens (Wednesday 31 January) and Adult (Wednesday 7 February) -, the competitions for the Rondalla singers (Sunday 4 February) and colourful Comparsa dancing troupes (Saturday 3 February), the Grand Opening Parade (Friday 9 February), the Rhythm and Harmony Parade (Saturday 10 February), the Daytime Carnival (Sunday 11 February and Saturday 17 February), the traditional Coso closing parade (Tuesday 13 February), the performance by the Ni Fu Ni Fa group and, lastly, the fireworks display (Sunday 18 February) which brings the curtain down on this key event in the Santa Cruz calendar.

Kinderdijk is a village in the Netherlands, belonging to the municipality of Molenwaard, in the province South Holland, about 15 km east of Rotterdam. Kinderdijk is situated in a polder in the Alblasserwaard at the confluence of the Lek and Noord rivers. To drain the polder, a system of 19 windmills was built around 1740. This group of mills is the largest concentration of old windmills in the Netherlands. The windmills of Kinderdijk are one of the best-known Dutch tourist sites. They have been a UNESCO World Heritage Site since 1997.

Name

The name Kinderdijk is Dutch for "Children dike". In 1421, during the Saint Elizabeth flood of 1421, the Grote Hollandse Waard flooded, but the Alblasserwaard polder stayed unflooded. It is said that when the terrible storm had subsided, someone went on to the dike between these two areas, to see what could be saved. In the distance, he saw a wooden cradle floating on the waters. As it came nearer, some movement was detected. A cat was seen in the cradle trying to keep it in balance by jumping back and forth so that no water could get into it. As the cradle eventually came close enough to the dike for a bystander to pick up the cradle, he saw that a baby was quietly sleeping inside it, nice and dry. The cat had kept the cradle balanced and afloat. This folktale and legend has been published as "The Cat and the Cradle" in English.

History

In Alblasserwaard, problems with water became more and more apparent in the 13th century. Large canals, called "weteringen", were dug to get rid of the excess water in the polders. However, the drained soil continued to subside, while the level of the river rose due to the river's sand deposits. After a few centuries, an additional way to keep the polders dry was required. It was decided to build a series of windmills, with a limited capacity to bridge water level differences, but just able to pump water into a reservoir at an intermediate level between the soil in the polder and the river; the reservoir could be pumped out into the river by other windmills whenever the river level was low enough; the river level has both seasonal and tidal variations. Although some of the windmills are still used, the main water works are provided by two diesel pumping stations near one of the entrances of the windmills site.

In popular culture

In the 2005 PlayStation 2 video game Sly 3: Honor Among Thieves, Kinderdijk is the third playable location. Several missions include utilizing the iconic windmills to aid the main character, Sly, in a biplane dogfight over the village.

Filmed: 18 March 2018

The depiction of the everyday life of religious figures, particularly the Holy Family, enjoyed wide popularity in seventeenth-century Spain. Murillo, who was the painter par excellence of this new human approach. Joseph, whose Cry tools are visible in the background, portrayed as a caring father about to hand »r his son to the Virgin, who affectionately out to Him. The tenebrism (dramatic tion) of this painting is characteristic of ; early work, when he was influenced by artists of the previous generation, such as Ribera, the young Velazquez and Zurbar.

Lens: Canon EF 24–105mm f/4L IS USM Lens

Camera Body: Canon 100d

Post Edit: Shotcut (Free Opensource)

Trebah (Cornish: Tre Worabo, meaning Gorabo's farm) is a 26-acre (110,000 m2) sub-tropical garden situated in Cornwall, England, UK, near Glendurgan Garden and above the Helford River (grid reference SW767273). Part of the parish of Mawnan, the gardens are set within an area of the same name, which includes the small settlements of Trebah Wartha and Trebah Woolas (both are of medieval origin).

In 1831 Trebah was acquired by the Fox family who built Glendurgan Garden. Trebah was first laid out as a pleasure garden by Charles Fox, a Quaker polymath of enormous creative energy who paid meticulous attention to the exact positioning of every tree. His son-in-law, Edmund Backhouse, M.P. for Darlington, took the work further.

In 1907 Trebah was bought by Charles Hawkins Hext and inherited on his death in 1917 by his wife, Alice, who died in 1939. From 1939 to 1981 the garden fell into decline, since the substantial Trebah Estate was sold off in small packages, of which the house and garden was one.

During the Second World War, Trebah was used for military purposes and the assault on Omaha Beach in Normandy was launched from Polgwidden Beach, at the foot of Trebah Garden.

One of the subsequent owners was Donald Healey, the motor car designer, who removed some of the concrete military structures and provided a boathouse on the beach.

In 1981, on their 64th birthday,[citation needed] Tony and Eira Hibbert bought Trebah as their retirement home. They were persuaded to give up the first three years of retirement to restore the garden.

Indeed, when Major Hibbert agreed to three years, little did he know it would become a quarter century. The decision, he eventually wrote, "has given us the happiest twenty-four years of our lives and had we not taken up the challenge we'd have been dead long ago of gin poisoning and boredom."

The garden was opened to the public in 1987 and by 1989 visitor numbers had reached 36,000. The Hibbert family then gave the house, garden and cottages to the Trebah Garden Trust, a registered charity, to ensure that the garden could be preserved for future generations.

In 2000 visitor numbers had exceeded 105,000 and a £1.94 million grant from the Heritage Lottery Fund and Objective One allowed Trebah to build the new 'Hibbert Centre', to rebuild Alice Hext's seat, restore the nursery and carry out major landscaping and garden improvements.

The Milkmaid, Johannes Vermeer, c. 1660

oil on canvas, h 45.5cm × w 41cm. More details

A maidservant pours milk, entirely absorbed in her work. Except for the stream of milk, everything else is still. Vermeer took this simple everyday activity and made it the subject of an impressive painting – the woman stands like a statue in the brightly lit room. Vermeer also had an eye for how light by means of hundreds of colourful dots plays over the surface of objects.

Performed in Museum mine Schauinsland

www.schauinsland.de

Lens: Canon EF 24–105mm f/4L IS USM Lens

Camera Body: Canon 100d

Post Edit: Shotcut (Free Opensource)